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A renaissance man and a magnetic creative force, Dmitry Sitkovetsky has made a considerable impact on every aspect of musical life and has been successful as a performer, creator and facilitator for over four decades. His enviable career as a violin soloist is documented in several dozen recordings of all major concertos and a wide selection of chamber repertoire. Among the recent releases are the complete Mozart Violin Sonatas with Antonio Pappano and Konstantin Lifschitz (Hänssler Classic) and Dutilleux’s L'Arbre des Songes with the Concertgebouw Orchestra and Mariss Jansons (Concertgebouw Live).

The 2017 summer festival season includes collaborations with Evgeny Kissin, Mischa Maisky et al at Verbier, Barry Douglas at Clandeboye (Ireland), and two chamber orchestra programmes in Ljubljana. In September 2017, Dmitry Sitkovetsky returns to the Enescu Festival with a program of works by the living legends: Arvo Pärt, Rodion Shchedrin, as well as Iain Bell & George Balint. Maestro’s commitment to contemporary repertoire also takes him to a very special stage in the old coal mine of Zabrze (Poland) for a performance of the Penderecki String Trio at the Penderecki Festival.

Throughout the 2017/18 season, Dmitry Sitkovetsky celebrates his life-long love for Italy and its culture with performances of his own legendary arrangement of the Goldberg Variations in Verona, Siena, Florence and throughout Tuscany, in an exciting collaboration with Orchestra della Toscana. His guest conducting engagements also include the Sacramento Philharmonic and Taipei Symphony Orchestra, among others.

Maestro Sitkovetsky’s 15th anniversary season as the Music Director of the Greensboro Symphony Orchestra opens with a world premiere of Not So Classical, which blends film and live orchestral performance in a new concert format designed to engage audiences in a digital storytelling experience. Working closely with filmmaker David Donnelly, whose documentary Maestro about Paavo Järvi has been distributed in 14 countries worldwide, Mr. Sitkovetsky has created a program that tells the story of Greensboro, North Carolina and the positive impact the orchestra has had on its people and their quality of life. This event underscores the beginning of construction for the eagerly awaited Tanger Arts Center, GSO’s new home, for which Maestro has served as an artistic catalyst.

Highlights of the previous season include the inauguration a new chamber music series in New York City, presented at Columbia University by the Aspect Foundation for Music and Arts; a month-long tour of Japan; the debut TED talk on the power of curiosity; the launch of his first book Dmitry Sitkovetsky. Dialogues; a collaboration with musicians of the Staatskapelle Dresden at the Shostakovich Festival at Gohrisch; and the sold-out world premiere of his multimedia performance inspired by Stravinsky’s A Soldier’s Tale at the Tchaikovsky Hall in Moscow, featuring live music, street dance, physical theater, poetry, and animation.

Dmitry Sitkovetsky’s name has become synonymous with the art of transcription. His iconic orchestra and string trio versions of the Goldberg Variations have taken on a life of their own, enjoying regular performances and acclaimed recordings by the world’s top musicians. Inspired by its unqualified success, Maestro went on to arrange over 50 works by Haydn, Beethoven, Brahms, Bartók, Tchaikovsky, Shostakovich, Stravinsky, and Schnitke. Since 2013, thousands have enjoyed the Medici broadcast of his arrangement of the Chopin Preludes, commissioned by the Verbier Festival for its 20th anniversary and performed by Yuri Bashmet, Leonidas Kavakos, Gauthier Capuçon, and other stars. In December 2015, Dmitry Sitkovetsky unveiled his transcription of Stravinsky’s Le baiser de la Fee, commissioned by the Orpheus Chamber Orchestra and premiered by Augustin Hadelich at Carnegie Hall, effectively adding a new concertante piece for violin and orchestra to Stravinsky’s legacy.

Driven by desire to share the fascination of music with the widest possible audience, Mr. Sitkovetsky created a compelling series of 11 episodes for Russian national television profiling the world’s most extraordinary musicians: Evgeny Kissin, Barbara Hendricks, Mischa Maisky, Bella Davidovich, Sir Neville Marriner, Yefim Bronfman, Gary Graffman, Sir Antonio Pappano, and others. Addressing them as a life-long friend and a musical collaborator, Mr. Sitkovetsky achieved unprecedented candour and intimacy in these conversations. The series are available worldwide on Medici.tv. The same agenda of returning classical music into the realm of cultural relevance is at the heart of Mr. Sitkovetsky’s collaborations with star dancers, writers, and actors, including his work with the multiple Emmy winner Peter Coyote on Copland’ Lincoln Portrait, Britten’s Young Person’s Guide to the Orchestra and Grieg’s Peer Gynt.

As a conductor, Mr. Sitkovetsky has held artistic leadership positions with the Ulster Orchestra, the Russian State Orchestra, and Orquesta Sinfonica de Castilla y Leon. In 1990, he founded the New European Strings orchestra (NES), bringing together the most distinguished string players from the top European ensembles for special touring and recording projects, most recently at the Enescu Festival. As a guest conductor, Mr. Sitkovetsky recently collaborated with San Francisco Symphony, Minnesota Orchestra, London and Royal philharmonic orchestras, NDR Hannover, Ensemble Orchestral de Paris, Moscow Philharmonic, Tokyo Metropolitan Orchestra, China Philharmonic, Shanghai Symphony, among others.

Given his ability to turn any project into a highly anticipated artistic event, Mr. Sitkovetsky has been invited to create, develop and lead a number of festivals throughout his career, most notably the Korsholm Music Festival in Finland in the 1980’s, the Seattle International Music Festival and the Silk Route of Music Festival in Baku in the 1990’s, as well as the Festival del Sole in Tuscany, where his NES orchestra was in residence from 2003 to 2006.

“The orchestra of the Komische Oper has shown us how it’s done. Conductor Dmitry Sitkovetsky had the courage to put the musical expression above all else and this approach invigorated the symphony, woke up its soul. In the first movement the sound could breathe simply and freely, and in the Andante Sitkovetsky gave melancholy a whole new meaning.”
— Der Tagesspiegel (Berlin)







“Dmitry Sitkovetsky played the work for all it is worth, which is a great deal, despite its relative rarity in the concert repertoire. Intensity and precision constituted a potent pair of qualities, which, allied with his finely focused tone, resulted in a totally convincing and indeed moving musical experience.”
— Seen and Heard



Please click on the thumbnails and you will be redirected directly to the chosen episode on MEDICI.TV:



Official trailer: Stravinsky & Sitkovetsky – "A Soldier, His Violin, and the Devil"

I had the idea to perform Chopin’s Preludes with different artists for each prelude. I turned to my friend Dmitry Sitkovetsky, who is a Master in transcriptions. He was open for the challenge and transcribed [the Preludes] for violin, alto, cello, clarinet or string quartet. It was a hit!
— Martin Engstroem, Founder and Executive Director, Verbier Festival

Bach & Sitkovetsky: Goldberg Variations

Dmitry Sitkovetsky, Gerard Causse & Mischa Maisky Munich/Herkulessaal 1985


Stravinsky & Sitkovetsky: Divertimento

Chopin & SitkovetSKy: Prelude NO. 15 



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“He made his violin sing with profound emotion and prodigious technique.”
— Star Tribune